Fire & Flood by J. Reynolds


For singer-songwriter J. Reynolds, the release of Fire & Flood has been all about timing.

“This whole project was a lesson on God’s timing,” says Reynolds from his home in western New York State. “Honestly, I think it’s the first time I truly trusted him with something like this—these songs, the recording, the release—and just let go of my own agenda.”

When asked what brought him to this place, Reynolds is quick to cite the hardship that he’s experienced in life. “It’s really because of trials in my personal life,” he says. “I had no choice but to give this project to him from the start. Which isn’t that what a worship album should be about anyway?”

Any sooner or any later and it may not have worked.

The songs for Fire & Flood began when Reynolds started co-writing with longtime friend Brennan Blowers about 8 years ago.

“We started with We Lift You Up and Palm of Your Hand, which we played at our home church. The songs were so well received that we kept thinking we should write more and record them. It took seven years to get to a place where that made sense in our lives and our experiences. But any sooner or any later and it may not have worked.”

The album artfully marries organic with synthetic, drawing from Reynolds’ mastery of rich ambient tone combined with digital precision.

“There are acoustic guitars and other vintage instruments, but a ton of synths and programmed loops,” he says, pulling up a sample of Your Kingdom Come on his laptop. “I am very entertained and enamored with layers of sounds, so I and wanted to make a record that I would actually listen to as an artist.” True to Reynolds’ self-assessment, the song’s guitar parts dance effortlessly upon deeply layered pads. “However, at the end of the day, we wanted every song to be approachable enough for a solo guitar or piano with a room of worshippers.”

I lived a pretty safe and comfortable life, but going through some fires in the last year or two broke me down to where I knew I needed Jesus.

Reynolds notes that the record’s theme is about Christ carrying believers through life—through the fires and the floods of a broken world.

“This means some of the songs are dark musically,” he explains, “but that comes from a place of asking ‘Who am I, God, that You would know my name, and lift me up out of despair, and walk with my hand in Yours?’” But he insists that it’s those very same fires that help to refine Christians and deepen their acknowledgment of needing God. “I lived a pretty safe and comfortable life, but going through some fires in the last year or two broke me down to where I knew I needed Jesus if I was going to move forward.”

“The bridge in ‘Shelter’ sums it up for me every time,” he adds. “It says, ‘Every word that You have ever said is true / You are the rock that I have held onto / I know You hear me when I call upon Your name / You are my shelter’.”

When asked how he hopes the album will connect with people, Reynolds points out that “there are certain people for whom music is the best way to connect with God, but that they may not be satisfied by the usual flavors on the menu.”

“My hope,” he concludes, “is that the band and I were able to bridge a gap between the singable corporate worship songs that we all know and love with unconventional elements of surprise and wonder.”

Fire & Flood is available October 13, 2017 from online retailers everywhere. Visit to listen and purchase. •

Fire Flood J Reynolds Cover

Press Release: Sprig Music Signs Artist Michael Bahn

Michael Bahn Spirg Music Header v2 Press Release

Photo by Sabina Magdalen-Hillman

Watertown, NY – Sprig Music is pleased to announce its partnership with singer/songwriter Michael Bahn of Grants Pass, Oregon. Bahn is a prolific writer and worship leader who serves as pastor of worship and administration at River Valley Church (RVC). Along with multiple albums of his own original music, he’s worked with numerous notable national artists, including Lincoln Brewster, Logan Martin, Chris & Conrad, Phil Stacey, Don Moen, Brandon Bee, Kate White, and Brothers McClurg.

Bahn is currently recording his third album, his first with Sprig Music, slated for a fourth quarter 2015 release. The album, produced by Chris and Anthony Hoisington of Brothers McClurg fame, will be prefaced with a new single “Rejoice” for airplay during the Christmas holiday.

Sprig Music is excited to produce and promote Bahn’s songs, all of which are designed to be easily accessible to worship leaders serving churches large and small. His modern vocal stylizing, instrumental proficiency, and dedication to song craft make him a musical inspiration. Bahn himself is a valuable addition to the Sprig Music family of artists as his love for people and desire for excellence are abundantly apparent in his work, as his his love for his wife and children.

To learn more about Michael Bahn, or to book him for dates in 2016, please visit his artist page for more information. •

Bringing Music Styles From the Past Into Our Present Worship

Bringing Music Styles From the Past Into Our Present Worship
By Chris Hoisington
Brothers McClurg

About two years ago, I started a search for new inspiration. You know, the sort of quest that any good songwriter will when you’re feeling dry and you’re seeking fresh musical inspiration. I wanted to find God in other forms of music besides the current modern worship music I’d become accustomed to.

I started by thumbing through my vinyl collection. It was in these beloved crates of aged musicology that I happened upon some old records that my parents had recorded in the mid 70s. The McClurg Family Singers.

I hadn’t listened to these records in over ten years, at least. But what I remembered of them sounded hoaky. The ultimate in cheesy, twangy southern gospel.

But I decided to give them a new listen. When I dropped the pin on their grooves this time around, the music hit my ears differently. I heard something in the sound that was fresh. It was old, but familiar. It was exciting.

I caught the scent of my inspiration, like a grandfather’s pipe smoke wafting in from the front porch.

From there, I began purchasing gospel records from the 60’s and 70’s, soaking in the sounds of Hank Williams’ “I Saw the Light,” Elvis Presley’s “How Great Thou Art,” and the Louvin Brothers’ “Satan is Real.” They reminded me of those old songs I grew up hearing in church like “He Set Me Free,” “There’s Power in the Blood,” and The Gaithers’ “Because He Lives.”

I thought to myself, where has that music gone to? That good ‘ole sound?

Sure, we hear them every now and again, done at church during a special music time or in passing a road-side tent revival. And they’re alive and well at southern gospel festivals. But what about the church as a whole?

Soon after this fresh rediscovery of music, I decided to play the song “I’ve Got a River of Life Flowing Out of Me” during a Sunday worship service at my church. The results made me smile. I found that the older folks perked up and remembered how to clap, and the younger folks turned their heads, wondering what this “new” sound was. It was a glorious moment.

I think there are times when certain songs, even certain styles of music feel tired and need a break. This can be true of any art form, but especially of music. But everything comes full circle, and eventually we find a way to make old songs and old styles feel fresh again.

When I think of gospel music from the past, I think of our heritage, of a deep faith to draw from and pull into the present. These thoughts, combined with what happened that Sunday morning, made me think, what would new writing sound like if we brought that older style back again?

A few years back, Glenn Packiam, of New Life Church in Colorado Springs, called worship leaders to take a fresh look at liturgy in our churches—the structured, intentional progression of a Sunday service. He challenged us to try and bring it back again as an element in our services. To some churches, this was a totally new idea, while for others it had been one they have continued to do. It was in this challenged that I felt renewed passion toward these old gospel songs and music styles from Christian music’s past.

I started to realize that many of the vintage gospel records I was listening to were telling Bible stories, and some of the stories in scripture that you don’t always hear sung about in church. In a lot of ways, I think worship leading is like being a pastor. We are called to shepherd people into a real, honest and heartfelt experience with God. That’s why telling the Bible stories through song helps us reflect on the stories in new ways. It breathes life into the story. To help us understand the stories and what they can teach us.

Like a pastor takes a scripture and expounds upon it, we are taking stories from the Bible and expounding upon them through song. Bringing the story into the worship experience. Singing the stories of Jesus and what He did and how He interacted with people can help us understand Him in a deeper way. It can also help us see our life in light of the stories, which is exactly what a sermon does. Sermons and songs need to intermingle more. Often, our praise and the preaching of a sermon completely isolated, treated as two separate disciplines, when really, they have far more in common than we realize. Music can teach theology in fresh and new ways. Old Bible story songs teach people about their heritage, about the rich legacy of faith that we’re still benefitting form today.

Keep in mind, I don’t think this will work in every church or with every worship leader. Each of us has a unique voice and style, and the Lord speaks to each of us on how we should lead our congregations. I just wonder if we added more of those old gospel tunes and a return to that style of music, we may pull the older generations together along with us. As worship leaders, we’re called to serve our congregations as a whole, not just with the newest worship songs but also giving a fresh feel to some of the older songs as well.

Brothers McClurg has done just this with our last couple two albums, “Home” and “Around the Mic.”

We’ve tried to write with that old gospel feel in mind and bring it into the present.

And we’ve found that it’s giving fresh voice, not just just to our own congregations, but to the congregations we visit around the country.

These old gospel songs may be something you might want to try implementing into your own set. I would talk to your pastor about it and try adding a song or two into your set to see if it’s something your people might enjoy.

We certainly need praise songs that are straight forward and simple, that don’t focus on us but look to God, and I’m not saying you should stray from that. What I’m suggesting, however, is adding journey songs that talk about the road of life we’re on and help people see that we are real and honest people who go through the highs and lows of life. Music is a powerful tool that can connect people to Jesus like nothing else.

To start, I would recommend playing one gospel/journey song as people walk into church, then lead them in three songs of praise. Or at the tail end of your worship set, have them sit and share an older song while the offering is being taken. You might even end your service with one so that you’re not taking away from your praise songs, but rounding out the entire service. These practices are things that are inspiring us, and it may inspire you as well. Below is a gospel playlist of songs, old and new, to consider for your church.

Have you had an experience with this type of musical style in your church recently? What’s the response been like? We would love to hear how God is shaping your set list in different ways to help each person in your congregation connect with God.

Here is a playlist of new and old gospel songs to check out and enjoy.